martes, 22 de mayo de 2012

Sos una mosca



Con lo que uno juega es siempre con una experiencia. La importancia de esa experiencia real o inventada no vale tanto como el poder de evocación que alcance. En eso el juego se acerca al sueño. Que es el mismo lugar a donde se acerca la ficción, y desde una punta no tan diferente.

En fin. Sos una mosca. Manejalo.
http://dacap.com.ar/games/housefly/

domingo, 20 de mayo de 2012

Pecezuelos: Aventuras fuera de la pecera

Debo el texto para otro momento. Este juego lo hicimos en el verano 2012. Es uno de mis juegos favoritos, con mucha de mi gente favorita en el equipo. Fue lo mejor hacer este juego, esas cosas que siempre estás esperando que se repita.

http://www.disneylatino.com/es/juegos/dc/activo/index.jsp?gameId=351

miércoles, 9 de mayo de 2012

Hemingway on writing #35

#35. I hold very simply, that a critic has a right to write anything he wishes about your work no matter how wrong he may be. I also hold that a critic has no right to write about your private life while you are alive.

sábado, 5 de mayo de 2012

Hemingway on writing #34

#34. Whatever success that I have had has been through writing what I know about.

lunes, 30 de abril de 2012

Hemingway on writing #33

#33. Charlie’s (Scribner’s) ridiculing of my daily word count was because he did not understand me or writing well nor could know how happy one felt to have put down properly 422 words as you wanted them to be. And days of 1200 or 2700 were something that made you happier than you could believe. Since I found that 400 to 600 well done was a pace I could hold much better was always happy with that number. But if I only had 320 I felt good.

miércoles, 25 de abril de 2012

Hemingway on writing #32

#32. Ordinarily I never read anything before I write in the morning to try and bite on the old nail with no help, no influence and no one giving you a wonderful example or sitting looking over your shoulder.

jueves, 19 de abril de 2012

Hemingway on writing #31

#31. You see I’m trying in all my stories to get the feeling of the actual life across, not just to depict life, or criticize it, but to actually make it alive.